Violin Lessons Cost
- 38 x in 12 months, 1x 45 minutes weekly, costs 99,-€ as monthly installment payment
- 38 x in 12 months, 1x 60 minutes weekly, costs 132,-€ as monthly installment payment
“Now and then”
- Single appointments always at least 60 minutes : each 40,-€
- There are no free trial lessons with me, because I basically teach intensively right away. Students who come here for individual consultations might then not understand why others do not have to pay for the first appointment
A violin can be borrowed from a violin maker, e.g. Mr. Teichmann in Hamburger Straße. The consultation of trained violinists is as much a central component of my teaching as the promotion of young talent through a very sound training from the beginning from 4 years, or the training of adults and young people as beginners and advanced. Tips: 1. the way length to the instruction: For music-enthusiastic laymen the know-how of music-educational professions is difficult to estimate. I often hear that the most important thing is that the lessons are inexpensive and take place nearby or in impressive premises. But real connoisseurs know: be critical in your musical education and don’t shy away from the basics right from the start. My lessons are based on an intensive and very expensive qualification of many years 2. “Playing a little bit every day” is virtually a guarantee for success, whereby my “practice tidbits” are dosed so effectively that they do not overtax. Overstraining only occurs when slurring occurs. Violin training is easy if you play every day, and turns into a difficult and often unsuccessful undertaking if you “just want to try a little”. There are almost no parents or adult students who heed this trick and urgent advice. My tip: Just as you eat small portions every day, you can feed your violinistic know-how with daily input. 3. starting age: an early start or only as a teenager or adult: the unrestrained desire counts !!! There are children who are just begging to learn to play the violin. This is a sure indicator of talent. This must be taken seriously and has nothing to do with drill or high expectations. After all, some people can play soccer, eat pizza, or go shopping every day and you would never call that drill. Gifted children similarly love playing the violin. Also, a structured daily routine where regular violin practice has a welcome ( !!! ) place in the family is an idyll for training. The child or the adult conquers in this security with daily playing demonstrably a great skill, which can not be unlearned until old age. My violin pedagogy is based on a travel-intensive, expensive education, a lot of concert experience, continuous studies of violin music and the textbooks of most successful violin pedagogues. For violin freaks I have listed here some literature especially for violin playing:
Some treatises about violin playing | Violin Pedagogue | published: |
The Art of Violin Playing | Francesco Geminiani | 1752 |
The Thorough Violin School | Leopold Mozart (The father of Wolfgang Amadeus Mozart) | 1756 |
Treatise on ornamentation in music | Giuseppe Tartini | 1771 |
Violin studies, 11 books | Constantin Dounis | 1921 |
Violin Playing as I teach it Graded Course of Violin Playing 1-8 | Leopold Auer | 1922 |
The Art of Violin Playing, Volume 1, 2 The Sound Problem in Violin Playing | Carl Flesch | 1928 1931 |
School of violin playing, Volumes 1, 2 | Wilhelm Isselmann | 1950 |
The technique of violin practicing | Heiner Reitz | 1973 |
Handbook of violin instruction | Otto Szende | 1976 |
Fundamentals and methods of violin playing | Ivan Galamian | 1980 |
Children learn to play the violin | Ljerko Spiller | 1982 |
Methodology in beginning violin lessons, 1+2 | Josef Gorbatov | 1983 |
Handbook for playing the violin | Max Rostal | 1991 |
Standard questions in violin lessons | Martin Marmot | 2009 |
Violin technique, historical schools and today | Jean Christée | 2011 |
Systematic violin technique, 6 volumes | Helmut Zehetmair | 2013 |
The Russian Violin School | Masha Lankovsky | 2016 |
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